:: CLOSE ::


Assumption of Flesh
I. Cinders below the porch
When I was seven
Ilived in a house built at the turn of the century
below the porch
were cinders
the coal had been burnt in the furnace
before the war,
before they put in the gas main

I would scrape my knees and palms
on the black bed of sharp edged coal corpses
lying like so many jews on the tiled furnace floor
It was here I would search for the past
in the deep shadow
with catydid shells
hanging like broken lightbulbs
bound in a circuitry of spider webs

It was here I would dig for
the remnants of dinosaurs
I read about in a book my
that arrived in the mail from my Great Aunt

I found a squirrel's skull once.

II. Ressurection
Without Shoes
I walked for years in spectres form
across the belly of a flatland
of cinders, glass and metal
living as a nomad, without shelter
or food

I have walked to the edge of a great body of water
and called up my cold skin
from below the water
rising on filaments of tangled hair
frozen and luminous
like a madmans chandalier of ice

And the assumption of skin is so like the first few minutes
between the hard starched sheets
that have lain cold for months
on a bed far too big for my body
in the guestroom of my grandparents house

The window cracked open,
January chills the smell
of staleness, age and oilsoap
my hair, electric on the stiff pillow

My feet are black with cinder stains.
And the dust on the floor is so cold
I can feel it even below the blankets

III.Questions for the Ribcage of Dawn
At dawn I wake to ask the ribcage of sunlight
on the bedspread
to write a new obituary
What stains I will carry
and to what star will the cairn I build point
and to trace the history of my rebirth
to recieve where
I have left my skin hanging to dry
a brittle ghost
caught in the high bare arms of a birch tree
I will ask the dawn to tell me
who will lay by me at nightfall?
which face will share my memory?
I will ask the dawn to tell me
who will entangle me at nightfall
what body will be twisted into my own
to bob as candle shadows
casting dark animal shapes,
filling the wall
and wrapping onto the cieling.

Seamus Malone 1988